[He gives the icebox a brief worried glance, but . . . well, there's nothing more they can do, and anyway, once they walk away, who's going to know it was them? Apart from, say, a particularly canny tiefling that knows exactly what kinds of boys he's taken in . . . mm, but maybe he won't be the one to open it. Maybe whomever opens it won't care. It'll be fine, probably.
And speaking of distant consequences: they should go and do some of the endless chores that need to get done . . . bu-ut Zevlor is busy right now, and why not take advantage of that? Hopping off his bar stool, he nudges at Astarion's elbow, leading him upwards. There's a hidden nook in the rafters that Fenris has found and unofficially claimed— one where no one bothers him, but where he can see the entire stage and most of the main hall. It's dusty and forgotten, and thus perfect for a boy still struggling to acclimate to how just about everything in his life has changed.]
No . . .
[Not Zevlor's job. Fenris is new, yes, but even to him, the thought of the tiefling not being around is . . . disquieting. He's as much a fixture of the Moulin Rouge as the lights or the music; to have him not be there would be wrong, somehow.
But where does that leave Fenris? He ponders it as they clamber upwards, climbing ladders and balancing along light fixtures; only once they're settled, watching the glittering figures move down below, does he answer.]
Maybe a stagehand . . . I like working with my hands. Or a bouncer . . . I'm good at fighting. I was training before I left . . . does Zevlor train bouncers, too?
[Where do you even learn how to fight? Fenris had been soaking up every bit of scrap information he could from anyone he could, from fellow servants to the drunks that lingered outside the bars and thought it funny to see a boy try and fight . . . and of course, he thinks, glancing at scabby knuckles, practice makes perfect. But the bouncers at the Moulin Rouge are so quick about it, especially the ones that linger in the halls, waiting for if one of the workers needs them.
(He'd seen it once, only a few days after he'd come to live here. Some man put his hands on a girl in a way he wasn't supposed to. She'd yelled, the bouncer charged in, and oh, it was so breathtakingly fast the way he hauled him out and guided him out the door, somehow managing not to rouse the attention of anyone else there. It was a work of art, if you've the mind for such a thing, and far better than Fenris himself could have handled it. He's been thinking about it ever since: the way he grabbed the man just here and here, yanking him upright and guiding him out the door . . . it's hard to practice on yourself, but he's tried anyway).]
no subject
And speaking of distant consequences: they should go and do some of the endless chores that need to get done . . . bu-ut Zevlor is busy right now, and why not take advantage of that? Hopping off his bar stool, he nudges at Astarion's elbow, leading him upwards. There's a hidden nook in the rafters that Fenris has found and unofficially claimed— one where no one bothers him, but where he can see the entire stage and most of the main hall. It's dusty and forgotten, and thus perfect for a boy still struggling to acclimate to how just about everything in his life has changed.]
No . . .
[Not Zevlor's job. Fenris is new, yes, but even to him, the thought of the tiefling not being around is . . . disquieting. He's as much a fixture of the Moulin Rouge as the lights or the music; to have him not be there would be wrong, somehow.
But where does that leave Fenris? He ponders it as they clamber upwards, climbing ladders and balancing along light fixtures; only once they're settled, watching the glittering figures move down below, does he answer.]
Maybe a stagehand . . . I like working with my hands. Or a bouncer . . . I'm good at fighting. I was training before I left . . . does Zevlor train bouncers, too?
[Where do you even learn how to fight? Fenris had been soaking up every bit of scrap information he could from anyone he could, from fellow servants to the drunks that lingered outside the bars and thought it funny to see a boy try and fight . . . and of course, he thinks, glancing at scabby knuckles, practice makes perfect. But the bouncers at the Moulin Rouge are so quick about it, especially the ones that linger in the halls, waiting for if one of the workers needs them.
(He'd seen it once, only a few days after he'd come to live here. Some man put his hands on a girl in a way he wasn't supposed to. She'd yelled, the bouncer charged in, and oh, it was so breathtakingly fast the way he hauled him out and guided him out the door, somehow managing not to rouse the attention of anyone else there. It was a work of art, if you've the mind for such a thing, and far better than Fenris himself could have handled it. He's been thinking about it ever since: the way he grabbed the man just here and here, yanking him upright and guiding him out the door . . . it's hard to practice on yourself, but he's tried anyway).]
I could be your guard, if you became a diamond.